The New Order (Jens Fänge), 2014
Assemblage: vinyl and oil on panel, textile, 64,5x53,5 cm
Våren, 2013
Oil on linen, 116 x 100,5 cm
Den blå hallen, 2013
Assemblage: Oil, vinyl, textile, cardboard and wood on panel, 105,5 x 71 x 5,8 cm
Förvandlingar, 2013
Oil on linen, 135 x 160 cm
Liten pjäs om natten, 2013
Assemblage: Oil, vinyl, textile on panel, 171 x 121,5 x 5,8 cm
Hemligheter, 2013
Assemblage: Oil, vinyl, textile and paper on panel, 51 x 35,5 x 3,5 cm
The Room Beautiful, 2012
Oil on linen, 98x119,5 cm
Liten pjäs för fyra, 2013
Oil, vinyl, textile, wood on panel, 144 x 92 x 5,5 cm
HALL, 2013
oil on linen, 116x100 cm
KLEINE SAAL, 2013
oil and vinyl on linen, 50x35 cm
CHARLATAN, 2013
Assemblage; oil and vinyl on panel, textile, paper, 96x59x6 cm
THE SHAPE OF THINGS, 2013
Assemblage; oil and vinyl on panel, textile, 96x59x6 cm
OSTERN, 2013
Assemblage; Oil and vinyl on panel 58x39x6 cm
Guldålder, 2011
Oil on linen, 130x150 cm
Vitrine, 2012
Oil on linen, 74x60 cm
Play Within a Play, 2012
Oil on linen, 181 x 210 cm
FLICKEN, 2013
oil on linen, 46x55 cm
The landscapist, 2008
Oil on linen, 61x66 cm
PLAY, 2010
Oil and tempera on linen, 68x62 cm
Den nya andans gift, 2009
Oil on linen, 66x61 cm
Jens Fänge, Galleri KHM, Malmö, Sweden
Participating artists:
Jens Fänge
Tamar Guimaraes
Danilo Stankovic
Maten Damgaard
Helene Garberg
Marika Markström
Erlend Grytbakk Wold
Mamma Andersson & Jens Fänge, Artipelag, Stockholm, Sweden
In the exhibition HERE/NOW, Artipelag would like to take a stand for the physical meeting between artwork and the viewer. The title of the exhibition refers to artist Barnett Newman’s praised 1948 essay, The Sublime is Now. In the essay, Newman propagates the idea that the meeting between contemplator and artwork should be like a meeting between two people, wherein the relationship is based on a profound dialogue.
Jens Fänge, MOCA-Tucson, USA
Blueprint unites artists and architects with wide-ranging and disparate practices under a single, uniting theme: using the “blueprint” module to explore the origin of their practice. First conceived in 1999, the exhibition was a low-budget, DIY effort by and about a group of emerging artists (“ambitious and broke” artists, in the words of curator/artist Sebastiaan Bremer). A decade and a half later, the artists’ practices have matured, and Blueprint remains a fascinating recent historical document and a record of the artists’ creative trajectory and evolution.
Jens Fänge, Jeff Olsson, Helene Billgren & Carl Hammoud, Bohusläns museum, Uddevalla, Sweden
Some of the participating artists:
Jens Fänge, Tuija Lindström, Peter Johansson, Annica Karlsson Rixon, Jacob Dahlgren, Andreas Eriksson, Lotta Hannerz, Ann Eringstam, Jeff Olsson, Maria Miesenberger, Eva Klasson, Gerry Johansson, Lovisa Ringborg, Julia Peirone, Dana Sederowsky, Helene Billgren, Patrik Andine, Omid Delafrouz, Leif Elggren, Lotta Antonsson, Carl Hammoud, Annika von Hausswolff, Carl Michael von Hausswolff, Tomas Lundgren & Maria Johansson.
Jens Fänge, ABC- Art Berlin Contemporary, Berlin, Germany
Galleri Magnus Karlsson is pleased to present a solo presentation with artist Jens Fänge at ABC in Berlin (Stand #B56). The installation Das Schauspiel presents new paintings, assemblages and objects in an installation customized for the fair.
Time Waits for Us, Galleri Magnus Karlsson
Galleri Magnus Karlsson is pleased to announce a group exhibition that will be on display throughout the summer. In conjunction with the inauguration of Nationalmuseum’s temporary space with the exhibition Carl Larsson - Friends and Enemies in our building (The Royal Academy of Fine Arts), we will show Time Waits for Us . This exhibition presents new works by all of our gallery artists.
Jens Fänge, Galleri Magnus Karlsson, Stockholm, Sweden.
Galleri Magnus Karlsson is pleased to present Jens Fänge’s third solo exhibition in the gallery. Room of Transformation presents new paintings, assemblages and objects in an installation customized for the space of the gallery.
Supersurrealismen, Jens Fänge, Moderna Museet Malmö, Sweden
Surrealism is a movement that has never faded. Vital and current art with surrealist elements is still being created. By means of shock, surprise and disturbance, artists seek to stir up the inner reality behind the viewer’s outer, rigid conventions and restricting inhibitions.
Carl Hammoud & Jens Fänge, Gallery Baton, Seoul, South Korea
From Press Release:
Gallery Baton is pleased to present Diplopia, an exhibition introducing new works by Swedish artists Jens Fänge and Carl Hammoud.
Diplopia is the technical term for double vision; the simultaneous perception of two images. The title refers to the common denominators in the works of Fänge/Hammoud, such as the usage of two (or more) images, the double exposure of objects, or simply the equivocal nature of their works - where one interpretation is as true as another.
Jens Fänge, Stena 15, Göteborgs Konstmuseum, Sweden
STENA 15
Sten A Olssons Kulturstipendium 1996 – 2011
Ett urval av de första 15 årens stipendiater i en utställning curerad av Sune
Nordgren. Utställningen presenterar åtta bildkonstnärer vars verk får bilda
nedslag i den samtida konsten. Följande konstnärer deltar: Monica Englund,
Jens Fänge, Annika von Hausswolff, Eva Hild, Jarl Ingvarsson, Maria Lindberg,
Mikael Olsson och Ola Åstrand. Utställningen har tillkommit på initiativ av
Stenastiftelsens styrelse i nära samarbete med Göteborgs konstmuseum.
Jens Fänge, Gleams and Beams, 28.5 - 28.6 2009
Galleri Magnus Karlsson is pleased to present Jens Fänge's second solo exhibition in the gallery.
Pudelns Hjärna – en utställning sammanställd av Jens Fänge
I drömmen drömmer drömmen en dröm.
Det händer konstiga saker ibland. Trollkarlen drack upp sig själv och försvann.
Jag tänker att den här utställningen skall fungera som en kinesisk ask. Både i enskilda verk och i det arbete som hela utställningen utgör finns historier och bilder som reflekterar över relationen mellan konsten och (det som ibland kallas) verkligheten. Skikt efter skikt av minnen och erfarenheter. Det skenbart enkla skavfota med fint utmejslade världar. Utställningen rymmer motsägelser. Jag tror att dessa möten alstrar ljus.
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