Sara-Vide Ericson, V1 Gallery, Copenhagen, Denmark

There is intimate tension and quiet suspense in the new paintings and drawings by Sara-Vide Ericson. We are in the woods, in the borderland between culture and nature. In beautiful and eerie tableaus Ericson takes us on a tightrope walk between the conscious and subconscious. In the painting Being Obvious (Oil on Canvas, 135 x 110 cm, 2014) a girl exits a shed shoeless in the woods. She is startled, her body caught in attentive movement. A harsh bright light hits her jacket and tears into the fibers of the jacket, the canvas and her very being.

Jens Fänge, MOCA-Tucson, USA

Blueprint unites artists and architects with wide-ranging and disparate practices under a single, uniting theme: using the “blueprint” module to explore the origin of their practice. First conceived in 1999, the exhibition was a low-budget, DIY effort by and about a group of emerging artists (“ambitious and broke” artists, in the words of curator/artist Sebastiaan Bremer). A decade and a half later, the artists’ practices have matured, and Blueprint remains a fascinating recent historical document and a record of the artists’ creative trajectory and evolution.

Susanne Johansson, Per B Sundberg, Tova Mozard, Tommy Hilding, Hellvi Kännungs, Gotland, Sweden

We are pleased to present this summer’s exhibition at Hellvi Kännungs, Gotland. The converted 19th century barn on the north-eastern Gotland serves as Galleri Magnus Karlsson’s project space in summer and it is now the fourth year we operate there during July. This year’s exhibition, Memories Look at us, presents new works by Tommy Hilding, Susanne Johansson, Tova Mozard and Per B Sundberg.


Upcoming Exhibition




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Saturday–Sunday 12–4 pm
or by appointment