Bonniers Konsthall opens the 2018 spring season with the most comprehensive solo exhibition of artist Jens Fänge. Fänge works with paint and assemblage and has occupied an esteemed position in the Swedish art world for quite some time. His work has recently received international attention. Drömmarna (The Dreams) focuses on his more recent production, a style characterised by the artist’s inclination to allow the paintings to extend beyond the canvas and into the room.
(In Swedish only)
Why Is Everything A Rag is the first solo museum exhibition of the Stockholm-based artist Jockum Nordström in the Americas. Children’s books, jazz and blues vinyl covers, collages, drawings, paintings and paper sculptures collected from the start of his career through today, figure in a practice animated by and built of visual vernacular.
Soon enough: art in action is an exhibition about futures. It is inspired by the urgencies of our time, and a conviction that artistic practice can communicate complex problems and coordinate resistance. Some art works in the exhibition address the future directly, others point to phenomena, topics, skills or attitudes which will be more important in days to come. Self-organisation, craft and manual skills, play a certain role in the exhibition. So do collaborative methods, research-based practices, the rural, and cosmos.
Group exhibition with 8 of our gallery artists: Mamma Andersson, Anna Bjerger, Niklas Eneblom, Sara-Vide Ericson, Carl Hammoud, Richard Johansson, Susanne Johansson och Johanna Karlsson.
More information: www.trafokunsthall.no
Mamma Andersson nominated for the 2018 David & Florence Guerlain Drawing Prize along with Leiko Ikemura and Juul Kraijer!
An exhibition of the works of the three nominated artists will be shown at the Palais Brongniart, Place de la Bourse, Paris.
More information: www.fondationdfguerlain.com
”Marcel Dzama (Winnipeg, Canada, 1974) gallery artist since 2010, presents his third exhibition. The title of this new exhibition – It’s Time – is a warning about the times we live in. The concept of the exhibition is connected to the theoretical, political and social principles developed by the dada movement conceived by Francis Picabia and Tristan Tzara – among others – as a reaction to World War I and Francisco de Goya’s Disasters of War, which reflect the cruelty of the Spanish war of Independence.
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And by appointment.